As if sharing early drafts of a manuscript isn’t hard enough, authors also have to worry about theft and copyright infringement. Fortunately, theft of a manuscript isn’t as common as one may think, but it still happens occasionally, and those stories spread through the writing community like wildfire, so I often have writers ask me if they should ask their beta readers to sign a non-disclosure agreement (NDA). On the surface, it might seem like the safest way to protect your work, but the answer is a little more nuanced.

You did it—you finished your manuscript! That’s a huge milestone, and you deserve to pause and celebrate. Writing a book that shares your knowledge, story, or perspective is no small task. After you've taken a moment to celebrate, comes the stage that may feel less glamorous but just as important: self-editing. This is where you refine your ideas, shape your message, and give your book its final shine—the polish that helps your words land clearly and confidently with readers. It can feel daunting, but with a little strategy (and a lot of patience), self-editing doesn’t have to drain your energy or blur your focus. In fact, it can bring you even closer to the heart of what you want your book to say.

​Coming from my background in traditional publishing, venturing into indie-publishing felt rebellious and exciting. Little is more empowering for a creative than giving the bean counters (trad publishers and their form-letter rejections) the middle finger by taking the reins of your own publishing journey and riding off into the sunset. Unfortunately, the morning after realization of how many hats a self-published author must wear can feel like waking up with a hangover. But the editing hat shouldn’t be a burden you bear alone! While you might not have a full editorial department behind you, you can craft an editing and proofreading process that’s surprisingly close to the flow of a traditional publisher. 

You’ve polished your draft, finished a self-edit, and now you’re ready for fresh eyes. Enter beta readers: trusted readers who can preview the story with fresh eyes and give feedback for improvement before it goes to editors or agents or is released to the public. Beta readers can help you catch plot holes, confusing character choices, flat dialogue, or pacing issues. But how you find beta readers, guide them, and process their feedback makes all the difference.

Here’s how to make the most of your beta reader experience:

Finding a good book editor can be difficult. And finding a good book editor with availability is even harder. Be sure to begin your search a few months in advance of when you anticipate having your manuscript ready for editing. 

Try to review the editor’s website before contacting them. If the site is comprehensive, you’ll find the answers to most of your questions before needing to contact them. When you have a good idea of whether you’d like to work with that person, it’s a great time to inquire about their interest in working with you, their prices, and availability. Most editors schedule projects weeks (or months) in advance and will require a deposit ranging from a few hundred dollars to 50% of the project total upfront to schedule their time.